![]() Although he didn’t play any instruments, Towa Tei was adept at sampling, and pieced together audio clips that could work as samples in the band’s songs. Hailing from New York, Deee-Lite were made up of Lady Miss Kier on vocals, Supa DJ Dmitry and jungle DJ Towa Tei. The plurality of Deee-Lite as a group and in their appeal and in their approach to songwriting makes this song a fitting home for a Candy J sample. ![]() Aside from her dirty talk, Candy J’s Sweet Pussy Pauline was loved for her refusal to be anything but what she was, and Kidd preserves this marvelously in his sampling. In Stacy Kidd’s track, the attitude, confidence, and outspokenness of Sweet Pussy Pauline is palpable just from the well-enunciated refrains of “motherfucker!” and “ooh shit!”. The differences between Hateful Head Helen and Sweet Pussy Pauline are difficult to identify, as Jordan’s vocal performance follows the same patterns she asks if she can talk to the fellas for just a minute, then spends the next six minutes cavorting off into sexy anecdotes and hilarious catchphrases. It samples generously and joyously from a track that Candice Jordan produced under her Hateful Head Helen alias that came out in 1989. The dub version was released on vinyl in 2004, with an instrumental version and a separate version featuring vocals by Matthew Yates following in 2009. ![]() There are several different versions floating around on YouTube and SoundCloud, but the obfuscation only adds to the track’s charm. ![]() “Mother Fucker” is a difficult song to get a hold of if you don’t know what you’re looking for. With a back catalogue like his, some tracks are bound to be forgotten over the years. He’s released on labels like Ministry of Sound and Warner Music, and also maintains his own imprint, House 4 Life Records. Stacy Kidd is one of Chicago’s most prolific producers. By tracing her influence through the tracks that sample her, hopefully, it will bring to light just how influential and iconic she was and bring her to a new generation of clubbers.īelow are five tracks sampling Sweet Pussy Pauline that demonstrate her influence on dance music today. Jordan has since left the music industry and fallen out of the public consciousness, but her tracks continue to have an influence on the generations of producers and DJs that followed in her footsteps. They became legendary in underground ballrooms across the United States, and she became a well-known figure in the queer dance music scene, performing live at clubs like Larry Levan’s Paradise Garage. Jordan’s subsequent bitch tracks featured filthy, hilarious monologues that didn’t hold back from documenting every minute detail of her character’s sexual exploits with verve, warmth, and charm. Famously, Junior Vasquez remixed one of her monologues into “ Work This Pussy ” and launched Sweet Pussy Pauline to more mainstream success. The frankness of Sweet Pussy Pauline gave a voice to the sexual agency of black women in the house scene. It features a lengthy, explicit monologue about “little-dick ass motherfuckers running around here who think they got a big dick” over a stomping house beat. It would soon solidify her position as one of house music’s most influential voices. Jordan debuted this side of her with her 1988 track “ Desirable Revenge (The Saga of Sweet Pussy Pauline) ,” released under her Candy J moniker. A deadly house beat usually guides the track, with a vocal line full of razor-sharp put-downs and sizzling wit. She then started releasing tracks under her own name tracks like “ Why Are You Wasting My Time ” and “ Desire ” brought her a faithful crowd in her live performances, but it was for her “ bitch tracks” that she gained a nationwide following.īitch tracks were a fixture of ballroom culture in the US, and provided a fitting soundtrack to the voguing battles that would go down. In the late ‘80s, Jordan started gigging in the burgeoning Chicago house scene, giving live vocal performances that transported her to becoming a musical sensation. She’s performed and released tracks as Sweet Pussy Pauline, Hateful Head Helen, and Candy J, so it’s fitting that over the decades, her legacy has morphed through various different phases along with her musical identity. Candice Jordan has known many incarnations.
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